Demi Ramos - Polaroid 59 expired 4x5 film- 01.jpg

Super 8 + Polaroids + 35mm

May 30, 2020

Before the pandemic really locked down NYC, I was shooting portraits as a creative outlet and mixing various cameras and formats. I chatted with Demi who was playing a concert with another musician I’d worked with and we met up for a quick shoot back in February.

I shot just a bit of expired Super 8 film that day and edited it down into a little fashion film featuring a taste of Demi’s personality while rocking a vintage jean jacket of mine.

Also shot some large format, Polaroids and 35mm and played around with putting together a wardrobe of sorts, which led to this retro set. I didn’t get a chance to get most of this film processed before the quarantine so I finally figured out how to process it at home myself and loved the results!

When all this dust settles in NYC, I’ll definitely hit up one of her shows because I know Demi goes hard!

Demi 35mm contact sheet fujifilm - 10.jpg

Jazz Age Lawn Party - West Side Story - Instax

Jazz Age Lawn Party 2019 // Super 8 + 16mm + Polaroids

September 3, 2019

Back at it again with this year’s trip to the marvelous Jazz Age Lawn Party on Governor’s Island in New York City. For those unaware, the Jazz Age Lawn Party is a yearly event taking place on a weekend in both in June and August where you travel out to the really beautiful island off the southern tip of Manhattan and have a day filled with jazz, champagne and dancing. Everyone dresses up in their finest 1920’s threads (some of it is genuine vintage clothing from the time period!) and enjoy a day relaxing.

I always go with the amazing Penumbra Foundation’s tintype booth they run every year. They shoot actual tintypes on large format 4x5 and 5x7 cameras. I document their booth as well as the event on Super 8 and this year I added some 16mm into the mix as well. The Super 8 was B&W Tri-X self-processed at MONO NO AWARE, a cinema arts non-profit I work with in Brooklyn, and the 16mm was color negative shot on a Bolex H16 and processed/scanned at the new Kodak NYC lab! You can see some of the footage from the day below!

A fun little snippet in there is when part of the cast of the upcoming Broadway show and Steven Spielberg directed film adaptation of West Side Story. Probably around 8 of the cast members were at the event just enjoying the day and couldn’t help but get a tintype of the crew to immortalize the day. They were a lot of fun and really loved their tintype. I later caught a portrait of two of them on some instant film which is featured at the top of this post.

Aside from documenting on motion film, I always can’t resist bringing a few still cameras to take some portraits because the outfits are always incredible. I brought along a Polaroid 110B with some Instax Wide film as well as a modified Instax Wide 300. Bringing along cameras that were at least closer to the correct time period (albeit still from the 50s technically) is a treat because they always get a lot of looks and questions as I walk around with them.

Also, while helping out the Penumbra Foundation with their booth, the tintype studio manager, Jolene Lupo, and I devised a very McGyver’d way to shoot a “mug shot” type double exposure on a single plate. Took a lot of ingenuity and several extra hands but the results were exactly as we’d hope for! This is the flipped scan since with a tintype, everything comes out inverted.

In the end, it was a hot but fun weekend to test out lots of different cameras and chat with some really inspiring artists working on their craft. And be sure to check out the previous years I’ve gone: 2018, 2017, 2016, 2015.

Nick Christian MacDonald "Man on the Moon" // Super 8 + 16mm

February 15, 2019

Last year I was given an old Russian 16mm camera called the Krasnogorsk-3 (or K-3 if you don’t want to say that mouthful) from Steve Cossman of the Brooklyn cinema arts non-profit, Mono No Aware. And what better way to test a new camera than to create a music video with your folk-singing neighbor?

My neighbor and friend, Nick Christian MacDonald, is an Americana-Folk musician with a hint of Leonard Cohen and Tom Waits. Check out his music on Spotify and catch him this Saturday at Pete’s Candy Store in Williamsburg! He’s a great dude and I figured it’d be fun to create some art together. So our wives did some quick concepting and ended up tossing Nick in a custom suit I got during my honeymoon in Vietnam which fit him like it was his and we shot in a little set inside my apartment and around our neighborhood in Brooklyn. The images are from a previous photoshoot with Nick.

The actual music video is a mixture of 16mm FomaPan 100R and some expired Kodak Tri-X Super 8 film I got from an old NYC photographer that I shot in my Canon 814XL-S. Steve of Mono No Aware helped me hand-process both rolls at the Gowanus Community Darkroom in Brooklyn and they came out great. Lots of texture and grain but I love that. It’s film!

So I mentioned that earlier last year, my wife and I did a photoshoot with Nick around our neighborhood on Polaroids and 35mm film. The cameras I used were my Polaroid 110B with modded CB-70 back, a Canon AE-1P and a Nikon S2. Nick’s a good lookin dude so it was easy enough to catch his good side.

Also I recently released a music video I shot with the K-3 and Pekky Savan so check that one out as well! Definitely going to be creating more music videos in the future!

Leaving you with some of my favorite stills from the raw scans from the 16mm and Super 8 rolls.

Crew

Music: Nick Christian MacDonald

Cinematographer: Nick Collingwood

Design/Direction: Halla Creative & Tyler MacDonald

Processing: Mono No Aware

2K Scans: Gamma Ray Digital

Jazz Age Lawn Party 2018 // Super 8 + Polaroids + 120

August 17, 2018

Michael Arenella's Jazz Age Lawn Party on Governor's Island in NYC every summer is such a fantastic time. People dressed to the nine's in 1920's outfits (some authentic!), great jazz, old cameras... it's a great combo. So getting to help out the Penumbra Foundation shoot tintypes at the event and capture it all on Super 8, Polaroids and 120 is a swell time for sure. Take a gander at the Super 8 I shot below!

This was the 4th year I've attended the event and the third time helping the Penumbra Foundation's Tintype Studio out at the event. (You can see my previous Super 8 and film photos for 2017, 2016 & 2015) Penumbra shoots actual tintypes on location at the event using 4x5 or 5x7 cameras and people can walk out of the event with a tintype in hand. People are always quite surprised that the format is still around similar to their reaction to me shooting Polaroids and Super 8. Some of the Penumbra crew like to call tintypes the 19th century "Polaroid" as it takes merely a few minutes for the finished photo to be seen.

The last few years, I've helped them out and documented both the event and their booth on Super 8 using a Nizo 801 Macro camera and some Kodak Tri-X film. Never one to travel light on cameras, I also like to bring along other cameras since portrait worthy people are plentiful so I brought my Polaroid 110B with my Instax Wide back and peelapart back with some expired Polaroid 664 film which had mixed results. Also brought my Polaroid 680SLR and then a Mamiya 7 I borrowed from a friend for the weekend to try out since I've never really shot 120 film. Needless to say from the results below but that camera is sharp! Combined with some expired Tri-X and some Fujifilm Pro 400H film in there, it really shined.

Jazz Age 120 portait - Mamiya 7 (Kodak Tri-X).jpg

This year I opted to process the Super 8 film I shot myself with some help from Steve Cossman of Mono No Aware (which is a great cinema arts non-profit based in NYC which teaches tons of workshops on filmmaking on actual film). I used an old Russian processing tank called a Lomo tank which is similar to Patterson tanks for still photography. I was nervous but the processing went great and you can see from the results above the Super 8 came out well. Eager to process more film now!

I'll be missing out on the festivities this weekend but I'm sure I'll be back in 2019! Many thanks to the Penumbra Foundation for the opportunity! And I'll leave you with a few shots of my Penumbra buds for the weekend.

Crew

Super 8mm and Polaroid work featured on

Instagram